Yoshida has also drawn ire for comments he made about representation in the game last year: "Due to the underlying geographical, technological, and geopolitical constraints of this setting, Valisthea was never going to realistically be as diverse as say a modern-day Earth." While he's since clarified these remarks, it's true that the game doesn't feature as many people of color as rival big-budget RPGs like Hogwarts Legacy or Diablo IV.īut despite its blemishes, Final Fantasy XVI tells an amazing tale about the lengths we'll go to fight for those we love and for what we believe is right. On the other hand, you have a heavy dose of Game of Thrones, which Producer Naoki Yoshida required the development team to watch.
On the one hand, you have typical Final Fantasy elements: a clear juxtaposition between good and evil, fantastical creatures like chocobos and moogles, maybe the best iteration of Cid ever, and an especially captivating antagonist.
Game of Chocobosįinal Fantasy XVI follows the gruff, good-natured protagonist Clive Rosfield over 18 years as he transforms from honor-bound aristocrat into revolutionary and savior of Valisthea - a land where humans called Dominants can "prime" into massive god-like Eikons, magic users called Bearers are brutally subjugated for control of their gifts, and a Blight is rapidly turning the two continents of Storm and Ash into wastelands.įinal Fantasy has always been defined by its storytelling, and XVI uniquely balances two main influences. It's not quite a flawless masterpiece, but Final Fantasy XVI certainly stands out as one of Square Enix's strongest outings since the turn of the century.
Chocobos, the giant birds endemic to the series, also take the place of horses in Final Fantasy XVI.Īlthough it struggles to find an identity early on, it grows into itself beautifully, with endlessly entertaining combat and a compelling storyline.
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